Putting the D in the P: Last Night on Death in Paradise (Series 7 Episode 5)

Putting the D in the P: Last Night on Death in Paradise (Series 7 Episode 5)

It’s time for another hot Death in Paradise and so far, ain’t Season 7 kinda been a drag? It’s actually really depressing to me. It just feels there is a lot of fatigue around the very obvious formula of the series, and although it’s always been like this (for 7 bloody seasons) I’ve never really felt it as hard as I do now. I don’t know about ratings and stuff like that (that would take research) but I wouldn’t be surprised if there has been some kind of decline. Which is kinda sad, because I think Ardol O’Hanlon had the potential to be the most interesting character the series had ever had and in my opinion (because if you haven’t figured yet, this entire series is opinion) he has been totally misused.

It’s basically like Peter Capaldi in Doctor Who. He could have been my favourite doctor but the stories and events that unfolded were (not objectively terrible but) fundamentally mis-managed. That’s exactly what’s happening with DI Mooney.

It’s not just Death in Paradise, I also think that this season of Silent Witness had been one of the worst in recent memory. Just like DiPSW had an extremely interesting end of the last series, and the start of the new series has entirely failed to capitalise on it at all (if you watch SW I’m referring to Nikki being buried alive in Mexico and Jack’s incredible helplessness in being unable to save her) Yes there’s echoes of interesting stuff, but it seems like it wants to wrap it up straight away. Hey, wait a sec, just like Mooney’s daughter fucking off straight away.

Because I’m getting very bored of both, it’s entirely possible it’s just me. And I’m just foreseeing the comments that I might be getting tired of Death in Paradise because I over-analyse every episode, yeah that’s valid. That being said, don’t comment that. But the fact remains I’m coming to these things with a fucking sigh, whereas last series (where I wrote exactly the same accompanying articles) I was coming to them with a smile.

Oh well, at least Inside No. 9 is fucking fantastic still.

Let’s go! Number 5! Make my own titles up (you know the deal by now!)! It’s time to start Putting the D in the P!

 

Series 7 Episode 5 – A Charitable Cause

Hey! Saint Marie! And its Day of the Dead! All the members of the team are joining in the celebrations, and having a grand old time! Elsewhere however things aren’t so peachy. Finn Anderson has just seen his wife Daisy Anderson off. She’s on her way to a Charity Auction at the Yacht Club, an auction in which regular guest stars, the Commish, and Katherine, are in attendance. Finn’s too cool for school though, and instead makes his way to the Day of the Dead festival getting a drink at one of the bars. Soon though Finn receives a terrible answering phone message of Daisy talking to someone who seems to be murdering her. He finds Mooney and Co. and gets them on the case! SMASH CUT TO TITLES!

Mooney and Co. listen to the voicemail and hot tail it over to the Yacht Club. No one there saw Daisy there, but Daisy’s cars parked out front. The Commish offers his services and soon finds Daisy’s body by a cliff looking out to sea. It’s obvious she’s been stabbaroo’d and there’s nothing much else interesting going on here. Apart from the WEIRD CLUE OF THE WEEK TM – a yellow butterfly that the Commish says should be in hibernation this time of year.

No one of the arbitrary list of suspects, Hugh Davenport (the head of the club), Charlotte Hamilton (the treasurer) and Finn Anderson (hubby) can’t think of any reason anyone would want to kill Daisy, who was the head of the charity commission at the Club and was well liked. After a fruitless conversation, JP searches Daisy’s car and finds an expensive bracelet shoved into the back of the glovebox. Weird!

Mooney wonders about Finn. He jumped to the conclusion that the voicemail message meant murder very quickly, even though the voicemail only had Daisy begging with a person who supposedly had a knife. That wouldn’t automatically mean she’s dead. Mooney wonders why Finn would think that straight off. Finn has no motive so far, he’s a game designer who sold his game for 7 million dollars, so money isn’t an issue. But Finn does seem to have a spot of blood on his shirt (in an abnormal scene that shows the audience something that the team don’t)

Harry the CGI lizard is sick – he’s not moving, he’s been turned into a model of a frog (which is cheaper budget-wise) Yeah he’s not moving at all, not even drinking water. He’s definitely SICK! SICK? SICK! Just like the deals down at my local charity shop. I got so good at selling the kiddy’s toys, and the ceramics, and the DVDs, now they’ve put me in charge of the whole store! So now I can sell whatever I like! I think you’re gonna really like some of the stuff I sell now. You want a partially chewed Findus lasagne? Come on down to my second-hand food section! You want petrol? We got tons of fucking gasoline in our car go-go section! You want a garage door? We got a great selection in our Things That Are Used To Keep Things In section! You want any of these hot products, you just email me at PaintMeLikeOneOfYourJPHoopers@aol.net. But be quick, these hot products are gonna go fast fast fast!!

That expensive bracelet that was in Daisy’s glovebox? Adam Warner gave it to her. Adam Warner is the Club surf instructor, and also a total beefcake. He was having an affair with Daisy, but when he gave her the bracelet, she was like ‘this gettin too real for men’ and fucks off. Adam really liked her so would never kill her. OR WOULD HE?????……No he’s not the murderer.

Time to throw some shade at Hugh Davenport, who through some CCTV, was shown to be attempting to blackmail Daisy because he found out about Daisy’s affair. It looks like he may want some sexy sexy sex favours. You heard the phrase Fight Fire With Fire? Well, Davenport wants to Fight Affair with Affair. He’s a scumbag, but he would never kill Daisy, right?

Back to Finn, who seems to be guilty as sin. Finn and Daisy were going through a rough patch. Daisy told Finn about the affair. And what’s more Daisy told Finn she wanted a divorce! And they argue about it.

At Katherine’s bar, Mooney asks Katherine about the auction. She said no one inside including Davenport, Charlotte Hamilton, and Beefcake Airways left the auction when Daisy was supposedly killed. So they all have alibis. She also tells Mooney that Daisy was at the bar a few days ago with some official looking papers and looking troubled. She was looking for a charity called Project Saint Marie, a charity that turns out to be a way to siphon money from the club. And the one responsible for the siphoning? Charlotte Hamilton!

Charlotte wanted money, lots and lots o’ money, and she thought no one would notice. But when Daisy as the new head of Charity stuck her nose in, Catherine got found out! Seems like a hell of a motive, ey?

Dwayne is still with his new girlfriend, Darlene, but she’s looking after her niece, Elise, and Dwayne thinks that kids are shit and hates spending time with her. But in a scene that actually has a nice amount of emotional depth, Dwayne is forced to tell Elise a bedtime story, and slowly realises that he enjoys looking after her. Elise is having nightmares and Dwayne tells her to draw the monsters she’s seeing.

The next morning, Darlene shows Dwayne what Elise drew – it’s a crude but obvious picture of Finn with a knife threatening Daisy. Elise actually saw what happened and that’s why she’s having nightmares. So Finn was at the Festival of the Dead with a knife, going to stab Daisy. But how did Finn get Daisy’s body from the centre of town to the yacht club without anyone seeing?

Mooney gets a phonecall from the vets (oh yeah, he took Harry to the vets I guess) to hear that Harry’s on the mend!! He was near death, but he still soldiered on. And that triggers the EPIPHANY!! (And some pretty good funny faces from Mooney) He knows the who and the what and the why.

At the final reveal, Mooney reveals all! And HOLEY MOLEY it was Charlotte and Finn. Finn went to kill Daisy in the centre of town but bottled it at the last moment. Daisy got hold of the knife and ran…to Charlotte’s place. Charlotte seized the opportunity to silence Daisy about the charity stuff by killing her, but first recorded a voice memo of Daisy pleading with her.

Charlotte got some tarpaulin and wrapped Daisy up, and made her way over to Finn’s. She blackmailed Finn (for that GREEN doe!!) and took Daisy’s car to dump the body by the yacht club. In the tarpaulin, a butterfly who had crawled under it to die and ended up sticking to Daisy’s flowers on her dress. Finn played his part, Charlotte calling him with the voice memo and Finn letting it go to voicemail. Charlotte and Finn now have alibis…except that they don’t cos Mooney sussed them out by having a stroke epiphany. TAKE THEM AWAY!

Well it seems that everything has worked out for the best apart from the dead nice kind young woman and Harry has returned home. The vets have cured his model-itis, and he’s back to being good ol’ CGI again. Supers. The episode ends with Mooney declaring he’s starting to feel at home on Saint Marie! Very nice.

This episode was fine. There were actually some neat moments, and was it just me or was the music out of control in this episode? In a wacky way that I can kinda get behind. The stuff with Dwayne was actually a neat sub-plot, with some genuine depth, and it was nice to see a sub-plot feed into the main narrative for a change. Overall, not great, but not bad.

UP NEXT: A murder occurs on Saint-Marie.

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Putting the D in the P: Last Night(ish) on Death in Paradise (Series 6 Episode 7)

Putting the D in the P: Last Night(ish) on Death in Paradise (Series 6 Episode 7)

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Hello and welcome to ‘Putting the D in the P’, my weekly look at the latest episode of Death in ParadiseDeath in Paradise is one of my favourite shows on television, and when casting your eyes down to the article below, just remember that my light-hearted ribbing is coming from a place of love.

Death in Paradise is one of the most confident shows on television. Not only does it outwardly revel in how silly it is, it inwardly takes itself rather seriously. It is also a show which knows if you’re going to watch it, and stops pandering to those who don’t give a shit. In a world where many television programmes bid for your attention, Death in Paradise is comfortable just existing.

That can be seen in it’s advertising (or lack thereof). Think back to when you last saw an advert for Death in Paradise. It was probably the start of the current season, right? Adverts are needed then to get the fans coming back, and is the only time it bids to attract new fans, at least at primetime.

I expect that there are a few adverts for Death in Paradise during the daytime schedule…because let’s face it (and this isn’t a bad thing) Death in Paradise is a daytime show on at primetime. Unfortunately I can’t verify that as the doctor said if I watched anymore Homes Under The Hammer my heart would explode. I just get so excited when they value the houses is all. And that estate agent music. Durr du du du du du duu duur.

Wait, what were we talking about?? Anyway, this week showed the inaugural outing of DI Jack Mooney (Ardol O’Hanlon) who is our new awkward Brit in the sun. It was nice to see that things felt decidedly different with Mooney bringing his unique investigative style to Saint Marie. It was both a breath of fresh air…and a little clunky and awkward. There were a fair few awkward silences. It was weird. I mean, if they were going for Mooney awkwardly adjusting they kinda nailed it. But that doesn’t negate the fact it felt awkward to adjust.

Anyway, let’s take the training wheels off this Irish man and start Putting the D in the P! (My titles are better than the ones on Wikipedia. So there.)

Series 6 Episode 7 – The Cold Call

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Cups of tea. Love a good cup of tea. And so do the team – well, at least Florence, Dwayne and JP. Unless they’re just teacups, and that’s rum in them. Ah well… anyway, this rude American guy comes in and interrupts their rum break. He’s got some information about a seven year old case – the murder of some lass called Julie Matlock. Apparently the woman they pinned the crime on, Nicole Hunter, didn’t do it. And he has proof because Nicole and him were Humph-ing all night long. Shit.

ROLL TITLES.

At the shack, Mooney’s doing some re-decorating which Humph probably wouldn’t appreciate. Like literally throwing out all of Humph’s furniture. Little extreme for a holiday but we all know Humph isn’t coming back any time soon, so I guess it’s fine. Harry the lizard doesn’t seem to mind, but that’s because he’s an extreme racist and British people all look the same to him. Anyway, Florence calls by because she wants some help with the case of Julie Matlock.

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So Mooney goes to the station to talk to Rude American man, who’s called Tyler I guess. He explains the night when Julie Matlock got murdered, a night when St Ursula’s Festival was in full swing with dancing and balloons and various other festival thingimys. Nadine was indeed with him the whole night. We can verify that because there’s flashbacks so it’s totes true. Turns out Tyler’s marriage ended, and Tyler came back to look for Nadine knowing it was festival time once again. Unfortunately, Nadine died in prison of pneumonia. Talk about a….COLD…..case. (We are all just bacteria infesting this planet)

Well, looks like we’re gonna have to re-open this case. Fuzzy flashbacks don’t lie, you guys. It’s the first rule of police school. Dwayne remembers the case well. Julie Matlock was editor of The Saint-Marie Times. Nadine Hunter was a photographer for the paper. Nadine and Julie didn’t get along well – Julie suspended Nadine for being off-her-tits drunk most of the time. Julie was shot while on the phone, alone in the newspaper office. She was on the phone to her daughter and in mid-sentence when she got shot. Her body was never found, and Nadine’s car was fished out of the bay the next day. In the glove compartment of the car was a gun and a bloody scarf.

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In the police files, there is a recording of the murder. Julie Matlock does indeed get fucked up. So it looks like we have a case. The team go to the newspaper office to have a little look see. Obviously, seeing as it was seven years ago, there’s no real evidence here. On the night of the murder, Julie Matlock had sent everyone else in the office home. Mooney does some weird kind of investigating thing which is half puppet show, half interpretive dance. It tells him nothing, because of course it doesn’t.

Whoever killed Julie needed a key to get in so it’s probably one of the other people from the office. Seems like they used a lift to get the body downstairs and then got out the fire exit. Simple, right? There’s only four (Godammit. Four, again. It’s always bloody four.) people it could possibly be (apart from Nadine) Grace Matlock, Julie’s daughter, journalists Tony Garrett and Kai Johnson, or Brian from My Parents Are Aliens, who here is called Ian Matlock, Julie’s husband I guess. But the snag is that Nadine Hunter was the only one who had no alibi. (Wow. That Tyler guy basically killed her.)

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Group interview time! Grace Matlock explains how Julie threw everyone out after Nadine stormed in the office totally tanked. Nadine screamed to Julie that they weren’t finished and then pissed off. Seems Julie wanted some alone time after that. Nadine may have been so messed up because some guy broke her heart. That old chesnut. On the night of the murder, Grace and Kai were at their house, Tony was at a bar seeing as it was festival night, and Brian from My Parents Are Aliens was at his beach house 40 minutes away.

Mooney wants a closer listen to the phonecall, because he thinks there’s something else in the recording. JP gets on it, enlisting his cousin who’s a sick ol’school DJ. The Commish comes to the station to greet Mooney. It’s super awkward. JP brings back a speaker to listen to the call, but it’s not enough. Looks like they might have to get technical on that one.

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In Nadine Hunter’s possessions, Mooney finds a lock of hair in a poly bag. It’s about as weird as it sounds. But seeing as there’s absolutely no way at all in any universe to test a lock of hair to see who it belongs to (like maybe get hairs from each suspect and test them against the lock of hair), I guess that doesn’t mean much.

Mooney calls it a day, which means he has exactly the same work ethic as Humph. Hey, sometimes you need some time to have a SUB-PLOT! At Catherine’s bar, we get reminded that Catherine is running for Mayor. Remember, from way back in episode two I think. Anyway, I’m sure that’ll come up again…maybe next week. Mooney and his daughter, Siobhan have a touching family moment sans a wife/mother because she’s fucking dead. Mooney and Siobhan miss her very much. I know how they feel. My ex-wife was buried alive. I tried to save her but I was too late. Mainly because I forgot where I buried her. Hey, turns out a lot of Delemare Forest looks the same. You live and learn I guess.

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Anyway, back to the case! Mooney’s made up a timeline of events. It looks detailed and super boring. Mooney seems to talk to himself when he’s thinking which all the others find super weird. Time for some quickfire clues. Florence is going through Julie’s diary and finds a 5 digit number – 19871. Interesting. JP finds a resignation letter from Tony Garrett in Julie Matlock’s inbox. Curious. Dwayne finds Brian from My Parents Are Aliens’s been spending money in a lingerie shop – not somewhere you would shop for your wife. Wow! Looks like Ian was having an affair AND got a big payout from his wife’s death. Which one do we even follow up first? If you want to follow up the 5 digit number press 1 now. If you want to look into Tony Garrett’s resignation press 2. If you want to go shopping for lingerie press 3. Oh wait…

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At Ian Matlock’s beach house, Mooney gives the old Good Cop Irish Cop routine. Ian admits to having an affair blaming a mid-life crisis. His mistress was a travel rep, who would pop in from time to time. Julie never found out though. At the newspaper archives, JP and Dwayne are looking into Tony Garrett’s articles. Not much happens really, except a SUB-PLOT where Dwayne is going to reconnect with an old flame.

 

Mooney and Florence go to talk to Tony Garrett about some articles he wrote. He wrote about a school called Calder Hill where a teacher was diddling one of the kids. I’m not going to go into it much, as SPOILER ALERT it isn’t relevant in the slightest. But Julie kinda forced Tony to resign, so maybe he killed her. Even though I kinda already told you that he didn’t. Anyway, it doesn’t matter because both Tony and Brian from My Parents Are Aliens have rock solid alibis.

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Looks like JP’s sick DJ of a cousin has isolated the sound on the phonecall. Mooney decides to go over the case again so none of us forget. He does this while putting sugar in his tea. He puts in like nine spoonfuls which is a concoction I like to call diabetes special drink. JP gets back just before Mooney has to take his insulin and the gang listen to the tape. It’s a weird fucking sound that no one can really pin down.

Seems like maybe we should give up. But a taxi driver gave a statement that Julie was down at the harbour the morning she was murdered. So Mooney decides they should go down and have a look. While there, he and Florence find a safety deposit box place. That five-digit number? The code to a safety deposit box! Mooney cracks it open and finds…some incriminating photos of Kai Johnson, up to his old criminal ways, taken by a private detective.

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Mooney and Florence pay a visit to Kai, who isn’t particularly surprised that Julie hired a private detective to tail him. That would be a doozy of a motive, to keep this info from Grace, his sweetheart, his bae, his underwear buddy. But Kai’s having none of it. He says that Julie even tried to pay him off to get him to fuck off. He told Grace about it and she was furious.

Turns out though that Grace already knew about the pictures too. But she didn’t care. You see her and Kai are having a baby and she looks to be about 18 months pregnant. With a baby on the line, who cares about some shady drug dealing. Well, the police… She told Kai to stop whatever it was he was doing and told her mother to go do one.

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So what did we learn? Nothing really. Waste of fucking time.

 

It’s St Ursula’s Festival time! And let me tell you, Saint-Marie is going fucking nuts. We’ve got bright colours, silly costumes, and everyone is absolutely tanked. Mooney and Siobhan kick back with the team while Dwayne goes to meet his old sweetheart. But it turns out he got the names of two of his old girlfriends mixed up, and, of course, he picked the clingy annoying one. Oh Dwayne…

St Ursula’s Day parties into St Ursula’s Night and Mooney even gets some dancing in. Siobhan tries to tell him something but he can’t hear. The music is way too loud. And that’s what triggers the revelation.  Mooney figures it all out, all while doing some sick dance moves. He calls the team together and they finally get that DNA test on the lock of hair.

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Time for the big reveal! And everyone gathers at the newspaper office. The Commish even comes, to make sure Mooney handles the reveal with the right amount of ridiculousness. It’s key to the job, you see. But the Commish has nothing to fear. Because HOLY MONTY MCSHITKINS it was Brian from My Parents Are Aliens (or Ian I guess). Ian shot his wife…but not in the office. He shot her at the beach house. You see, Mooney was so obsessed with what he could hear on the tape, he didn’t realise what he couldn’t hear. St. Ursula’s Day party music, which would have been deafening in teh office.

Ian was sick of his wife and saw a way to get rid of Nadine Hunter as well who was his mistress. Yes, not the travel rep who pops in and out but Nadine Hunter, who was obsessed with Ian (it was his lock of hair) Ian invited his wife to the beach house, told her to blow off Grace by telling her she was still at the office, then he shot her. Then he drove Nadine’s car into the sea, with the gun and bloody scarf and buried Julie in the concrete of the beach house. You see, that sound that was on the tape? A cement mixer.

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Hot damn! Take him away.

So that was the story of Mooney’s first case. And something’s telling me it won’t be the last because Ardol O’Hanlon is contractually obliged. Overall, it was pretty good. The final revelation actually made a lot of sense. And O’Hanlon seems to play the role of Mooney with the right measure of humour and sincerity. I’m interested to see how his character will develop along with how the team will accept him further.

But we’ve only got one episode left this season. Have I really done seven of these? So let’s go out with a doozy, shall we?….Hopefully

UP NEXT: Voting! Catherine! Murder! Polls! Finales!

See you next week!


If you or someone you know suffers from Homes Under the Hammer addiction call the BBC Action Line on 08000 566 065 for support and advice. Just know that you don’t have to be alone through this trying time. There are thousands, if not millions, of people who are addicted to the high of house valuation.